Showing posts with label Jim Fletcher. Show all posts
Showing posts with label Jim Fletcher. Show all posts

Friday, June 10, 2011

Holles Street Maternity Hospital



Yesterday, T. Ryder Smith dashed over to The Radio Foundation in between performances for War Horse at Lincoln Center. He brilliantly performed an excerpt from the most difficult chapter of Ulysses, Oxen of the Sun. Stylistically, Joyce slaloms through the history of English literature in this episode and it is often the chapter where readers throw the novel against the wall in desperation. T Ryder Smith performed an excerpt written in the style of the seventeenth century poet John Milton as the drunken students chided Dedalus about his supposed sexual exploits.We were discussing how once you have the answer keys, the clues, to Joyce's references, stylistic choices, and plot points, the episode opens up like a beautiful flower and you breath it in. If you do the work to understand the text, and read it and then perform it, the experience is like having a conversation with a brilliant friend and finally understanding what he is saying. It's a rush of artistic and intellectual pleasure and understanding.
The episode takes place at Hollis Street Maternity Hospital where Bloom and Dedalus finally meet joining the drunken medical students as they all wait for the birth of Baby Purefoy. My first experience with Ulysses was a ten year old girl in Dublin waiting in the lobby of Hollis Street for my aunt to finish work. She was a matron at the hospital and would take me to see plays by my first literary heros Oscar Wilde and John B Keane starring those wonderful actors who shaped my theatrical consciousness like Robert O'Mahoney and Mick Lally. While waiting in the lobby, I would watch the tours of American tourists making their Bloomsday pilgrimage to the site of this most difficult episode as Joyce birthed his place into the consciousness of English literature alongside the long laboring Mrs. Purefoy.


On Monday, John Lithgow recorded another difficult excerpt from Oxen of the Sun, written in the style of Charles Lamb whose version of Ulysses, was Joyce's first experience with the Greek legend while a student at Belvedere College in Dublin. This year, several students at Belvedere are recording the Nestor episode of Ulysses as Stephen Dedalus tries to teach his students the John Milton poem Lycidas. Radio Bloomsday veteran Jim Fletcher, that fantastic performer of classic twentieth century literature, will be performing that Milton poem live from the WBAI studios on June 16.


The ethereal Kate Valk recorded the birth of Baby Purefoy for us a few years ago. This year, she reads an excerpt from Cyclops with Jim Fletcher and one of my favorite WB Yeats poem's The Stolen Child which had the whole studio in rapt attention as she performed it. Join us only six days away and listen in live to Radio Bloomsday on WBAI in New York City and KPFK in Los Angeles and on wbai.org anywhere in the world.

Tuesday, May 17, 2011

A Recent Visitation of Jupiter Pluvius


New York is feeling much like Dublin today. Thundershowers, wet winds and drenched socks took hold of the city during "a recent visitation of Jupiter Pluvius," this mid May morning. The rain has stopped, the trees are washed but the pavement is still dark with damp. As Joyce writes in one of his early poems about the rain: " Rain has fallen all the day./ O come among the laden trees:/ The leaves lie thick upon the way/ Of memories." Performer Marc Singer describes Dublin in similar circumstances as Stephen Dedalus and Leopold Bloom walk home after a rain shower on Radio Bloomsday this June 16, less than a month away!

Water is almost a character in Ulysses as well it might be given the typical wet and rainy Irish climate. Of course, Ireland much like Manhattan, is an island surrounded by water, and its writers talk often of the sea.

Several chapters of Ulysses take place by the Sea. "Thalatta! Thalatta!" The novel begins in the Martello Tower as Dedalus watches Buck Mulligan shave and take a bath in the ocean. Stephen refuses to swim, and admits to being a hydrophobe, or at least that is what he tells Bloom at the end of the novel in the Ithaca episode, explaining why he doesn't want to wash his hands. Later in Proteus, he walks on the beach thinking of his past and imagining his future. You will hear the poet Paul Muldoon perform an excerpt from the second half of this chapter on Radio Bloomsday.

Even Bloom has his moment by the sea. In the Nausicaa episode, we return again to the Atlantic Ocean as Bloom watches the fireworks and the girls playing in the sand. I also love the end of Lotus Eaters episode which also sets Bloom in a body of water, the bath: " He foresaw his pale body reclined in it at full, naked, in a womb of warmth, oiled by scented melting soap, softly laved. He saw his trunk and limbs riprippled over and sustained, buoyed lightly upward, lemonyellow: his navel, bud of flesh: and saw the dark tangled curls of his bush floating, floating hair of the stream around the limp father of thousands, a languid floating flower.

Yesterday, I was discussing Ulysses with the charismatic actor, Jim Fletcher, who recently played the title character in Gatz, Elevator Repairs Service's unforgettable performance of the complete text of The Great Gatsby. He will be performing John Milton's poem about a shipwreck Lycidas on Radio Bloomsday, which is referenced several times throughout Ulysses by the students in the Nestor episode and by Dedalus in Proteus as he walks along the strand. Milton wrote the poem about his college friend, another aspiring writer, who died in a shipwreck off the coast of Ireland. It is obviously a favorite poem of Stephen's. He has emerged alive from the shipwreck of his life, not to be romantized as the poet who could have been but challenged to become the writer of his dreams. Can he do it? Even if his snarky friends keep him from being published in their literary journal. Who will help Stephen find his place on the literary landscape that is his destiny? No one offers to help him, it seems except Bloom, and Bloom can barely get Molly a singing gig once a year.

But Bloom has ulterior motives. He sees Stephen as a possible suitor for his daughter Milly. His wife Molly has her own designs on the young poet, however. As she says during her monologue fantasizing about being the muse of the handsome writer:

they all write about some woman in their poetry
well I suppose he wont find many like me
where softly sighs of love the light guitar
where poetry is in the air
the blue sea and the moon shining so beautifully
coming back on the nightboat from Tarifa
the lighthouse at Europa point
the guitar that fellow played was so expressive
will I ever go back there again
all new faces
two glancing eyes a lattice hid
Ill sing that for him
theyre my eyes
if hes anything of a poet
two eyes as darkly bright as loves own star
arent those beautiful words
as loves young star
itll be a change the Lord knows
to have an intelligent person to talk to about yourself
not always listening to him and Billy Prescotts ad
and Keyess ad and Tom the Devils ad
then if anything goes wrong in their business we have to suffer
Im sure hes very distinguished
Id like to meet a man like that
God not those other ruck
besides hes young

Tune in on Thursday, June 16th at 7pm to hear Stephen, Bloom, Molly and more on WBAI in NYC and KPFK in Los Angeles and on wbai.org from anywhere in the world!